Bars show degree positions on a 1‑period axis with common ratio ticks on the left in grey, and actual degree ticks on the right in black. Sort options: Max step is the largest adjacent gap between degrees (including wrap‑around); Span is the range between the lowest and highest degree position within the period.
Hint: Click Play on a scale to begin, then use keyboard shortcuts 1–0, qwertyuiop, asdfghjkl, zxcvbnm to play degrees.
1/116/159/86/55/44/37/53/28/55/39/515/82/1
1/10 - Comma Meantone
1/3 Syntonic
1/4 S.c. Standard - meantone
1/4 Syntonic
1/5 Ditonic
1/5 S.c. Homogeneous - meantone
1/5 Syntonic - Holden
1/5 Syntonic - Holder
1/6 S.C. Attenuated - meantone
1/6 Syntonic
1/6 Syntonic - Silbermann
1/7 - Comma Meantone
1/7 Syntonic
1/8 - Comma Meantone
1/9- Comma Meantone
12-17
12-19
12-22
12-22h
12-27
12-31
12-31_11
12-43
12-46
12-46p
12-50
12-79mos159et
12-note_11-limit_marvel_sns
12-yarman24a
12-yarman24b
12-yarman24c
12-yarman24d
13 S.C. Minor 3rds - meantone
14th-century
1797 - 1/5 syntonic comma
17th-century
2/7 S.c. Extended - meantone
2/7 Syntonic
3/17 S.C. Riccati - meantone
A. Merrick
abell1
abell2
abell3
abell4
abell5
abell6
abell7
abell8
abell9
adler-claviblasticum
agricola
Agricola's Altered Pythagorean Tuning
Agricola's Monochord (Just)
Agricola's Pythagorean-type Monochord (Irregular)
agricola_p
al-farabi_div2
alembert
alembert-rousseau
alembert-rousseau2
alembert1
alembert2
alembert3
Alexander John Ellis in 1875
Alexander John Ellis in 1885
Alexander Metcalf Fisher
alves_12
ammerbach
ammerbach1
ammerbach2
Amost-Equal (Di Veroli)
Anton Bemetzrieder
arabic_bastanikar_on_b
arabic_huzam_on_e
arabic_segah-mustaar_on_e
archytas12
archytas12sync
arch_mult
arch_ptol
arch_ptol2
arch_sept